In his Cave Allegory (Republic, c.360 BCE), Plato presents a strikingly visual account of the distinction between knowledge and belief and, in doing so, provides us with what may be considered the earliest picture-house. AdvertisementsRead more "Plato’s Cave and the Cinema"
Halfway through Bernardo Bertolucci’s The Conformist (Il Conformista 1970) the protagonist, Marcello Clerici, visits the Parisian home of his former teacher, Professor Quadri. After entering his study, Clerici recounts Quadri’s lectures on Plato’s allegory of the Cave. This video-essay examines Bertolucci’s use of Plato’s cave imagery throughout the film.Read more "Bertolucci’s Cave: a Platonic reading of The Conformist"
The arguments of French philosopher René Descartes (1596-1650) have had an enormous impact on philosophy. In what follows, Descartes arguments will be examined through the contemporary viewfinder of Alejandro Amenábar’s Abre los Ojos (1997). The intention, however, is not to use the film as a mere vehicle for conveying Descartes’ thought, but rather to consider whether the […]Read more "Abre los ojos (Open your eyes)"
Philosophy begins with questions and, as such, a good place to start is with this often overlooked question concerning the nature of philosophy itself. Strangely, for a discipline that places such great emphasis on defining and clarifying concepts, there is no unanimously agreed definition of what exactly philosophy is. The term ‘philosophy’ in its literal […]Read more "What is Philosophy?"