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	<title>filmosophy</title>
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		<title>filmosophy</title>
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		<title>Edinburgh International Film Festival 2013 Poster Launch @edfilmfest</title>
		<link>http://filmandphilosophy.com/2013/04/16/edinburgh-international-film-festival-2013-poster-launch-edfilmfest/</link>
		<comments>http://filmandphilosophy.com/2013/04/16/edinburgh-international-film-festival-2013-poster-launch-edfilmfest/#comments</comments>
		<pubDate>Tue, 16 Apr 2013 08:02:32 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[EIFF]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1608</guid>
		<description><![CDATA[Poster Launch for EIFF 2013 Filed under: Film Tagged: EIFF<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1608&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Edinburgh International Film Festival 2013 Poster Launch @edfilmfest</media:title>
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		<title>Metaphysics &#8211; the problem of Free Will</title>
		<link>http://filmandphilosophy.com/2013/03/18/metaphysics/</link>
		<comments>http://filmandphilosophy.com/2013/03/18/metaphysics/#comments</comments>
		<pubDate>Mon, 18 Mar 2013 11:40:14 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Determinism]]></category>
		<category><![CDATA[Free Will]]></category>
		<category><![CDATA[Metaphysics]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=272</guid>
		<description><![CDATA[One of the major sub-fields of philosophy is Metaphysics.  It is difficult to define exactly what metaphysics is; it began as the search for first causes or the study of &#8230; <a href="http://filmandphilosophy.com/2013/03/18/metaphysics/" class="read-more">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=272&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Examined Life &#8211; Judith Butler and Sunaura Taylor</title>
		<link>http://filmandphilosophy.com/2013/03/17/examined-life-judith-butler-and-sunaura-taylor/</link>
		<comments>http://filmandphilosophy.com/2013/03/17/examined-life-judith-butler-and-sunaura-taylor/#comments</comments>
		<pubDate>Sun, 17 Mar 2013 21:39:49 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Filmosophy]]></category>
		<category><![CDATA[Examined Life]]></category>
		<category><![CDATA[Judith Butler]]></category>
		<category><![CDATA[Sunaura Taylor]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1597</guid>
		<description><![CDATA[In Examined Life, Judith Butler and Sunaura Taylor explore what it means to ‘take a walk’ in the mission district of San Francisco. One of the most fascinating parts of the &#8230; <a href="http://filmandphilosophy.com/2013/03/17/examined-life-judith-butler-and-sunaura-taylor/" class="read-more">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1597&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>The Problem of Evil in Film</title>
		<link>http://filmandphilosophy.com/2013/03/17/the-problem-of-evil-in-film/</link>
		<comments>http://filmandphilosophy.com/2013/03/17/the-problem-of-evil-in-film/#comments</comments>
		<pubDate>Sun, 17 Mar 2013 17:55:02 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Filmosophy]]></category>
		<category><![CDATA[Crimes and Misdemeanors]]></category>
		<category><![CDATA[Hannah and her Sisters]]></category>
		<category><![CDATA[Seventh Seal]]></category>
		<category><![CDATA[Shadowlands]]></category>
		<category><![CDATA[Signs]]></category>
		<category><![CDATA[Tree of Life]]></category>
		<category><![CDATA[Virgin Spring]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1588</guid>
		<description><![CDATA[The standard philosophical definition of God is that He is: omnipotent (all powerful); omniscient (all knowing), and; benevolent (perfectly good). However, the &#8216;problem of evil&#8217; seems to entail that the existence &#8230; <a href="http://filmandphilosophy.com/2013/03/17/the-problem-of-evil-in-film/" class="read-more">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1588&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">seventh-seal-1762</media:title>
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		<title>Michael H. Profession: Director</title>
		<link>http://filmandphilosophy.com/2013/03/17/michael-h-profession-director/</link>
		<comments>http://filmandphilosophy.com/2013/03/17/michael-h-profession-director/#comments</comments>
		<pubDate>Sun, 17 Mar 2013 11:52:05 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmosophy]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[filmosophy]]></category>
		<category><![CDATA[Michael Haneke]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1580</guid>
		<description><![CDATA[Over the last 25 years, Michael Haneke has established himself as one of the most important directors in cinema history. From his early work to Amour, he has explored some &#8230; <a href="http://filmandphilosophy.com/2013/03/17/michael-h-profession-director/" class="read-more">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1580&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">259146</media:title>
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		<title>The Black Hole: metaphysics and greed</title>
		<link>http://filmandphilosophy.com/2013/03/17/the-black-hole-metaphysics-and-greed/</link>
		<comments>http://filmandphilosophy.com/2013/03/17/the-black-hole-metaphysics-and-greed/#comments</comments>
		<pubDate>Sun, 17 Mar 2013 10:57:07 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Filmosophy]]></category>
		<category><![CDATA[greed]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[The Black Hole]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1574</guid>
		<description><![CDATA[The Black Hole (Phil and Olly, 2008) - a short, but perfectly formed, exploration of metaphysics and greed. Enjoy! Filed under: Filmosophy Tagged: greed, short film, The Black Hole<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1574&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Black hole</media:title>
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		<title>Monty Python&#8217;s Argument clinic</title>
		<link>http://filmandphilosophy.com/2013/03/13/monty-pythons-argument-clinic/</link>
		<comments>http://filmandphilosophy.com/2013/03/13/monty-pythons-argument-clinic/#comments</comments>
		<pubDate>Wed, 13 Mar 2013 14:30:30 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Philosophical Humour]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[arguments]]></category>
		<category><![CDATA[logic]]></category>
		<category><![CDATA[Monty Python]]></category>
		<category><![CDATA[soundness]]></category>
		<category><![CDATA[validity]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1563</guid>
		<description><![CDATA[The boys from Monty Python do it again. In philosophy, an argument isn&#8217;t just contradiction, it&#8217;s &#8220;a connected series of statements intended to establish a proposition&#8221;. The series of statements &#8230; <a href="http://filmandphilosophy.com/2013/03/13/monty-pythons-argument-clinic/" class="read-more">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1563&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">ARGUMENT CLINIC</media:title>
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		<title>The Bicycle Thieves and Italian Neorealism</title>
		<link>http://filmandphilosophy.com/2013/03/08/the-bicycle-thieves-and-italian-neorealism/</link>
		<comments>http://filmandphilosophy.com/2013/03/08/the-bicycle-thieves-and-italian-neorealism/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 16:13:46 +0000</pubDate>
		<dc:creator>James Mooney</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Bicycle Thieves]]></category>
		<category><![CDATA[Italian Neorealism]]></category>

		<guid isPermaLink="false">http://filmandphilosophy.com/?p=1540</guid>
		<description><![CDATA[From the early days of cinema (late nineteenth/ early twentieth century) through the 1960s, theories of film tended to divide into the opposing camps of Formalism and Realism.  Formalists emphasized &#8230; <a href="http://filmandphilosophy.com/2013/03/08/the-bicycle-thieves-and-italian-neorealism/" class="read-more">Continue reading <span class="meta-nav">&#8594;</span></a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmandphilosophy.com&#038;blog=24532126&#038;post=1540&#038;subd=filmandphilosophy&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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